Joey Landreth inspires a switch to EMGs?
I was recently watching That Pedal Show's video with Joey Landreth, and the minute I saw his Suhr, I knew it was time to drop that new pick guard into my Blacktop Stratocaster.
The tortoise shell pick guard I bought was for the purposes of finding a home for my EMG 81 and SA (no middle), so the tones are obviously going to be VERY different. This could be a lot of fun though in combination with the Metal Zone I recently bought. EMG pickups and a Boss Metal Zone?
So. Much. Suck?
I'm actually kind of interested in debunking this concept. Just a few minutes with the Metal Zone led me to the conclusion that it isn't THAT bad. What if I built two similar rigs from very different pieces and A/B'd them.
The first rig would be the Eric Johnson Maple Stratocaster, which has a Tone Zone S in the bridge, into a Fulldrive 2, an Angry Charlie, a Quickdraw delay, and finally int the Dr. Z Maz 8.
The second would be the Blacktop Stratocaster, with EMGs, into a Noah Sark Green (TS9 clone), a Metal Zone, a Korg Toneworks AX10 (for the delay), running into a Peavey Envoy 110.
For kicks I may run the second rig into the effects return of the Maz 8 and see what the Korg can produce with an amp model engaged. I haven't used that thing in a long time, and it served me pretty well overseas running into an Ampeg Jet II, which has a pretty simple control layout and stays fairly clean.
I know what you're thinking - there's no way a Metal Zone, some EMG's, and a solid state amp will beat boutique tubes and an Angry Charlie, to say nothing of the EJ Strat. Of course it won't. But that isn't the point.
The tortoise shell pick guard I bought was for the purposes of finding a home for my EMG 81 and SA (no middle), so the tones are obviously going to be VERY different. This could be a lot of fun though in combination with the Metal Zone I recently bought. EMG pickups and a Boss Metal Zone?
So. Much. Suck?
I'm actually kind of interested in debunking this concept. Just a few minutes with the Metal Zone led me to the conclusion that it isn't THAT bad. What if I built two similar rigs from very different pieces and A/B'd them.
The first rig would be the Eric Johnson Maple Stratocaster, which has a Tone Zone S in the bridge, into a Fulldrive 2, an Angry Charlie, a Quickdraw delay, and finally int the Dr. Z Maz 8.
For kicks I may run the second rig into the effects return of the Maz 8 and see what the Korg can produce with an amp model engaged. I haven't used that thing in a long time, and it served me pretty well overseas running into an Ampeg Jet II, which has a pretty simple control layout and stays fairly clean.
I know what you're thinking - there's no way a Metal Zone, some EMG's, and a solid state amp will beat boutique tubes and an Angry Charlie, to say nothing of the EJ Strat. Of course it won't. But that isn't the point.
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